Unfortunately, I have never read the actual text of “The
Grapes of Wrath”. In class we spent a good amount of time establishing what
Steinbeck valued about his novel. From this conversation as well the others I
have had about this book in the past, I have gathered an idea of what Steinbeck
was looking to establish when he wrote this book. Director John Ford and his
associate Gregg Toland were in charge of making the movie about this text.
Although they looked to portray as much of Steinbeck’s ideas as possible in the
film, Ford and Toland’s view and ideas were heavily influential in the end
product. They did stay true to the text and spirit of the work in certain
stretches of the movie but in overall themes, they author and director went separate
ways. A scene that captures this alteration from book theme to move theme is the
scene where the family has gathered to eat at their uncle’s house. The scene is
intimate with the family. The viewer begins to understand the struggle and
turmoil the family was personally dealing with. Steinbeck was writing this book
in regards to the nation as a family. The lower class of our society could only
rise up from the oppression of that time by uniting and fighting the losing
battle of poverty together. Ford looked to concentrate of the family that was
at the center of the film. The scene discussed displayed multiple cinematic
qualities. Through the scene, the camera changes from view of one talker to the
view of the others as if you were sitting across from the speaker. The camera
angles allow the viewer to step into the room with the actors. These
altercations that Ford and Toland made strayed away from the letter and spirit
of the book. He changed the overall concentration of the book. Ford did put his
on twist and signature on the film but at the cost of the original text. I
would not agree that Ford was an auteur because he did not stay true enough to
the spirit of the film.
I believe that when
Truffaut initially thought the idea behind the Auteur Theory he had great reason
and influence. The directors of his time motivated him to react to their “unfaithfulness”
to the original text. Presently, I feel this theory still applies. We are
seeing Hollywood not only push out a lot of movies based on books but also remakes
of old movies. These categories apply because the author is looking to put his
own signature on the work without losing faithfulness to the letter or spirit
of the original. Most authors have their signature and their films can be
identified by it. I had watched book series made into film that were directed
by multiple directors and each film showed you where some authors strayed from
the letter and spirit, diminishing the quality of the film, or those who were
able to adapt the film to their liking while staying true.
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